A Review of Japanese Yoga

Paperback: 224 pages

Publisher: Stone Bridge Press; 1 edition (May 1, 2001)

Language: English

ISBN-10: 1880656604

ISBN-13: 978-1880656600

Product Dimensions: 9 x 7 x 0.6 inches

A Guide to Better Living

By Dr. Kyle Kurpinski

For most, the title Japanese Yoga will immediately conjure countless preconceived notions about the contents of this book, most of which are probably wrong. Yes, this work contains exercises for stretching, breathing, and various forms of meditation (both static and in motion), but the most important aspect of this book (and really, its singular underlying theme) is something that would make for a much more cumbersome title: the unification of mind and body.

It's clear then why H. E. Davey chose the title that he did, but it may not be so clear as to why you should buy this book. Let me help you out. "Mind and Body Unification" is the state in which both your mind and body work together in unison to make you a more effective person. This idea may seem somewhat simplistic on the surface, but when you start to dig deeper and explore the exercises within this book, you'll quickly realize how inefficient and ineffective most people are in their daily lives. If you look closely, you'll begin to notice that fundamental human problems like stress, tension, emotional swings, etc., etc. are very often caused by a lack of unity between body and mind, and with practice you'll come to realize that you have much more control over these things than most people ever imagine. The opportunities to improve your body, mind, and life in general are, and always have been, within you. This book simply helps you discover this "hidden" potential, and it does so with easy-to-understand images and straightforward exposition.

A brief review can't do this book justice; the techniques and ideas presented here are literally life-changing. Put simply, this book will teach you how to stay calm under pressure, how to be healthier and more relaxed, and how to reach your full potential in life.

 

About the Reviewer: Kyle Kurpinski is a teacher of more than one classical Japanese art and the author of How to Defeat Your Own Clone: And Other Tips for Surviving the Biotech Revolution. He is also a leading U. S. cell biologist.

Review of The Japanese Way of the Artist

The Japanese Way of the Artist:

Living the Japanese Arts & Ways, Brush Meditation, The Japanese Way of the Flower

By H. E. Davey

494 pages, 6 x 7 ¾", 135 B&W illustrations and photographs

Paper, ISBN: 978-1-933330-07-5, $19.95

H. E. Davey combines a remarkable technical facility in the Japanese art of the brush with a deep understanding of its spiritual profundities. His book offers a marvelous practical introduction to Japanese calligraphy as well as insights into the essence of this art. It is a unique and fascinating presentation of a little-known art of self-cultivation.--Dave Lowry, author of Sword and Brush

Thoughts

A man is but the product of his thoughts what he thinks, he becomes.

Mohandas Gandhi

Both Gandhi and Nakamura Tempu mentioned this idea, echoing the sages of ancient India. To learn more about how the mind can create health and illness, fortune and misfortune, read Japanese Yoga: The Way of Dynamic Meditation, which is based on Nakamura Sensei's teachings.

The Japanese Way of the Artist

To read more about Japanese art and meditation, check out The Japanese Way of the Artist. You can order your copy at:

http://www.amazon.com/Japanese-Way-Artist-Living-Meditation/dp/1933330074/ref=sr_1_1?ie=UTF8&qid=12926379...77&sr=8-1

Review of Japanese Swords: Cultural Icons of a Nation

By Colin M. Roach

Reviewed by H. E. Davey

• Hardcover: 176 pages

• Publisher: Tuttle Publishing; Har/DVD edition (December 10, 2010)

• Language: English

• ISBN-10: 4805310359

• ISBN-13: 978-4805310359

• List Price: $39.95

Japanese Swords: Cultural Icons of a Nation is an exploration of the history, iconography, and metallurgy of Japanese swords. Colin M. Roach visited with top-artisans, historians, and martial arts specialists, in Japan and the USA, to produce a distinctive look at these ancient weapons, which he attempts to delve into from historical, iconographical, and technical standpoints. The book includes a foreword by swordsmanship expert Nicklaus Suino and a sidebar by Abe Kazunori, a high-level sword polisher. Japanese Swords also examines the work of top swordsmiths like Kawachi Kunihira and Gassan Sadatoshi, while delving into their lives.

Included are over 350 eye-catching high-resolution photos and a DVD. The visual impact and presentation of both the DVD and book are first-rate, although both could have benefited from more comprehensive editing. Readers interested in completing their library of Japanese sword books will want to take a look at this new hardback by Tuttle.

About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He has practiced Japanese martial arts, including jujutsu and swordsmanship, since the age of five. His seventh-degree black belt is certified in Japan, and he has also studied sword polishing, appraisal, and restoration under Japanese experts. For more information about H. E. Davey and his classes in various Japanese arts, visit http://www.senninfoundation.com/.  

Review of "The Zen Art Book"

The Zen Art Book: The Art of Enlightenment

By Stephen Addiss and John Daido Loori

Reviewed by H. E. Davey

Paperback: 128 pages

Publisher: Shambhala; 1 Original edition (November 3, 2009)

Language: English

ISBN-10: 159030747X

ISBN-13: 978-1590307472

Dimensions: 8.9 x 7 x 0.5 inches

List price: $21.95 (US)

When a Zen adept, or indeed any artist, puts brush to paper, the ensuing image is a picture of the state of his or her psyche. Therefore in Zen, artistic expressions are “lessons,” intended to cause the viewer to pause and reflect on ultimate reality.

In this book, forty well-known examples of painting and calligraphy by celebrated Zen teachers such as Hakuin (1685–1768) and Sengai (1750–1837) are reproduced along with observations that shed light on both the artwork and its symbolism. In essence, opposite the photo of the artwork, readers will find remarks by the two authors listed as “Zen Commentary” and “Art Comment.” The writers’ essays at the beginning of the volume present a foreword to the artistic and educational aspects of Zen art.

Mr. Loori’s treatise Art as Teacher is especially valuable to anyone exploring the deeper meaning of art, but readers should realize that while Zen is often cited for using art as moving meditation, many people in Japan practice crafts (like calligraphy) as meditation, and they do so without any affiliation with Zen. In short, Zen does not have a monopoly on meditative Japanese art. With that noted, Zen certainly does have a lengthy tradition of integrating its philosophy with art, something this book explains well.

The ink paintings (sumi-e) and brush calligraphy (sho) in The Zen Art Book display elements that are at times insightful, impenetrable, serious, funny, and beautiful. Although bigger, more complete, and more beautiful books on Zen art are available, The Zen Art Book is less expensive than these works, providing a concise and effective introduction to this topic and an illuminating introductory essay by Zen practitioner John Daido Loori.

About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is also the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He is a direct student of the famed calligrapher Kobara Ranseki Sensei, and he holds the highest rank in Ranseki Sho Juku calligraphic art. His Japanese calligraphy and painting has been in numerous exhibitions in Japan, where he has received multiple top awards. For more information about H. E. Davey and his classes in Japanese arts and forms of meditation, visit www.senninfoundation.com.

Review of "How to Wrap Five Eggs"

How to Wrap Five Eggs: Traditional Japanese Packaging

By Hideyuki Oka

Photographs by Michikazu Sakai

Reviewed by H. E. Davey

Paperback: 224 pages

Publisher: Weatherhill (October 14, 2008)

Language: English

ISBN-10: 1590306198

ISBN-13: 978-1590306192

Dimensions: 10.1 x 7.2 x 0.9 inches

Retail Price: $30 (US)

This classic book was first available in 1975 and titled How to Wrap Five More Eggs. It was created by the late Oka Hideyuki, with exceptional photography by Sakai Michikazu. In many ways a “coffee table book,” this work’s striking full-page photos effectively portray the integration of classic Japanese aesthetics into daily life in Japan. How to Wrap Five Eggs is worth purchasing for the pictures alone, which comprise the majority of the book.

Time-honored Japanese packaging is an art that applies refined design and natural aesthetics to everyday objects. In Oka Hideyuki’s graceful presentation of the baskets, boxes, wrappers, and containers that were used in run of the mill, daily Japanese existence, readers are presented with eye-catching illustrations of an era prior to mass production in Japan. Principally constructed of bamboo, rice straw, hemp cord, paper, and leaves, all of the items revealed in the book come from natural substances. Through 221 black-and-white photographs of genuine models of long-established Japanese packaging—with notes on the genesis, materials, and use of every piece—the objects presented advocate looking into a rapidly disappearing craft, while they also remind us of our relationship to the natural world and the value of handicrafts that were at one time active and vibrant in scores of people’s lives.

In many industrialized societies, handmade objects are quickly fading away, and this is especially sad to see in Japan, a culture that once epitomized the idea that everyday items can be crafted and presented in a manner that adds meaning and beauty to our lives. Traditional Japanese culture at one time embodied the notion that how something is done is as important as the final outcome of a given action, and that how an object is presented and packaged is as important as the item in the wrapper. This philosophy of merging beauty with daily activities, and with commonly used objects, makes life better in countless ways, an idea we can all benefit from, and an idea well-presented in How to Wrap Five Eggs.

About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is also the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He is a direct student of the famed calligrapher Kobara Ranseki Sensei, and he holds the highest rank in Ranseki Sho Juku calligraphic art. His Japanese calligraphy and painting has been in numerous exhibitions in Japan, where he has received multiple top awards. For more information about H. E. Davey and his classes in Japanese arts and forms of meditation, visit http://www.senninfoundation.com/.