Our thoughts go out to our friends and teachers in Japan , which was recently hit by a large earthquake and tsunami. We hope all our friends are OK, and we hope you will donate to help people in Japan . If you’re not sure how to do this, you can go to http://www.globalgiving.org/projects/japan-earthquake-tsunami-relief/.
Michi Online is devoted to the cultural arts, traditions, and spiritual paths of Japan. We're affiliated with the Michi Online Journal of Japanese Cultural Arts and the Sennin Foundation, Inc., a nonprofit corporation. Drop by for news and information about Japanese arts, and visit www.michionline.org for even more about Japan's arts, crafts, and forms of meditation.
Friday, March 11, 2011
Thursday, February 24, 2011
A Review of Japanese Yoga
Paperback: 224 pages
Publisher: Stone Bridge Press; 1 edition (May 1, 2001)
Language: English
ISBN-10: 1880656604
ISBN-13: 978-1880656600
Product Dimensions: 9 x 7 x 0.6 inches
A Guide to Better Living
By Dr. Kyle Kurpinski
For most, the title Japanese Yoga will immediately conjure countless preconceived notions about the contents of this book, most of which are probably wrong. Yes, this work contains exercises for stretching, breathing, and various forms of meditation (both static and in motion), but the most important aspect of this book (and really, its singular underlying theme) is something that would make for a much more cumbersome title: the unification of mind and body.
It's clear then why H. E. Davey chose the title that he did, but it may not be so clear as to why you should buy this book. Let me help you out. "Mind and Body Unification" is the state in which both your mind and body work together in unison to make you a more effective person. This idea may seem somewhat simplistic on the surface, but when you start to dig deeper and explore the exercises within this book, you'll quickly realize how inefficient and ineffective most people are in their daily lives. If you look closely, you'll begin to notice that fundamental human problems like stress, tension, emotional swings, etc., etc. are very often caused by a lack of unity between body and mind, and with practice you'll come to realize that you have much more control over these things than most people ever imagine. The opportunities to improve your body, mind, and life in general are, and always have been, within you. This book simply helps you discover this "hidden" potential, and it does so with easy-to-understand images and straightforward exposition.
A brief review can't do this book justice; the techniques and ideas presented here are literally life-changing. Put simply, this book will teach you how to stay calm under pressure, how to be healthier and more relaxed, and how to reach your full potential in life.
About the Reviewer: Kyle Kurpinski is a teacher of more than one classical Japanese art and the author of How to Defeat Your Own Clone: And Other Tips for Surviving the Biotech Revolution. He is also a leading U. S. cell biologist.
Review of The Japanese Way of the Artist
The Japanese Way of the Artist:
Living the Japanese Arts & Ways, Brush Meditation, The Japanese Way of the Flower
By H. E. Davey
494 pages, 6 x 7 ¾", 135 B&W illustrations and photographs
Paper, ISBN: 978-1-933330-07-5, $19.95
H. E. Davey combines a remarkable technical facility in the Japanese art of the brush with a deep understanding of its spiritual profundities. His book offers a marvelous practical introduction to Japanese calligraphy as well as insights into the essence of this art. It is a unique and fascinating presentation of a little-known art of self-cultivation.--Dave Lowry, author of Sword and Brush
Wednesday, January 19, 2011
Thoughts
A man is but the product of his thoughts what he thinks, he becomes.
Mohandas Gandhi
Both Gandhi and Nakamura Tempu mentioned this idea, echoing the sages of ancient India. To learn more about how the mind can create health and illness, fortune and misfortune, read Japanese Yoga: The Way of Dynamic Meditation, which is based on Nakamura Sensei's teachings.
The Japanese Way of the Artist
To read more about Japanese art and meditation, check out The Japanese Way of the Artist. You can order your copy at:
Tuesday, November 16, 2010
Review of Japanese Swords: Cultural Icons of a Nation
By Colin M. Roach
Reviewed by H. E. Davey
• Hardcover: 176 pages
• Publisher: Tuttle Publishing; Har/DVD edition (December 10, 2010)
• Language: English
• ISBN-10: 4805310359
• ISBN-13: 978-4805310359
• List Price: $39.95
Japanese Swords: Cultural Icons of a Nation is an exploration of the history, iconography, and metallurgy of Japanese swords. Colin M. Roach visited with top-artisans, historians, and martial arts specialists, in Japan and the USA, to produce a distinctive look at these ancient weapons, which he attempts to delve into from historical, iconographical, and technical standpoints. The book includes a foreword by swordsmanship expert Nicklaus Suino and a sidebar by Abe Kazunori, a high-level sword polisher. Japanese Swords also examines the work of top swordsmiths like Kawachi Kunihira and Gassan Sadatoshi, while delving into their lives.
Included are over 350 eye-catching high-resolution photos and a DVD. The visual impact and presentation of both the DVD and book are first-rate, although both could have benefited from more comprehensive editing. Readers interested in completing their library of Japanese sword books will want to take a look at this new hardback by Tuttle.
About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He has practiced Japanese martial arts, including jujutsu and swordsmanship, since the age of five. His seventh-degree black belt is certified in Japan, and he has also studied sword polishing, appraisal, and restoration under Japanese experts. For more information about H. E. Davey and his classes in various Japanese arts, visit http://www.senninfoundation.com/.
Thursday, November 11, 2010
Review of "The Zen Art Book"
The Zen Art Book: The Art of Enlightenment
By Stephen Addiss and John Daido Loori
Reviewed by H. E. Davey
Paperback: 128 pages
Publisher: Shambhala; 1 Original edition (November 3, 2009)
Language: English
ISBN-10: 159030747X
ISBN-13: 978-1590307472
Dimensions: 8.9 x 7 x 0.5 inches
List price: $21.95 (US)
When a Zen adept, or indeed any artist, puts brush to paper, the ensuing image is a picture of the state of his or her psyche. Therefore in Zen, artistic expressions are “lessons,” intended to cause the viewer to pause and reflect on ultimate reality.
In this book, forty well-known examples of painting and calligraphy by celebrated Zen teachers such as Hakuin (1685–1768) and Sengai (1750–1837) are reproduced along with observations that shed light on both the artwork and its symbolism. In essence, opposite the photo of the artwork, readers will find remarks by the two authors listed as “Zen Commentary” and “Art Comment.” The writers’ essays at the beginning of the volume present a foreword to the artistic and educational aspects of Zen art.
Mr. Loori’s treatise Art as Teacher is especially valuable to anyone exploring the deeper meaning of art, but readers should realize that while Zen is often cited for using art as moving meditation, many people in Japan practice crafts (like calligraphy) as meditation, and they do so without any affiliation with Zen. In short, Zen does not have a monopoly on meditative Japanese art. With that noted, Zen certainly does have a lengthy tradition of integrating its philosophy with art, something this book explains well.
The ink paintings (sumi-e) and brush calligraphy (sho) in The Zen Art Book display elements that are at times insightful, impenetrable, serious, funny, and beautiful. Although bigger, more complete, and more beautiful books on Zen art are available, The Zen Art Book is less expensive than these works, providing a concise and effective introduction to this topic and an illuminating introductory essay by Zen practitioner John Daido Loori.
About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is also the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He is a direct student of the famed calligrapher Kobara Ranseki Sensei, and he holds the highest rank in Ranseki Sho Juku calligraphic art. His Japanese calligraphy and painting has been in numerous exhibitions in Japan, where he has received multiple top awards. For more information about H. E. Davey and his classes in Japanese arts and forms of meditation, visit www.senninfoundation.com.
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